The Penny Arcade Adventures series has a somewhat tumultuous history. Originally released back in 2008 and developed by Hothead Games, the series blended the famous webcomic’s trademark art style and writing with RPG and adventure game mechanics. However, after Hothead abandoned the third title in the franchise to go work on Deathspank, the fate of the series seemed sealed, especially as Penny Arcade writer Jerry Holkins decided to release the planned third game’s story as its own novel.
That’s now changed with the release of Penny Arcade Adventures: On the Rain-Slick Precipice of Darkness Episode 3, following a change of developer to Zeboyd Games, who RPG fans might recognize as the indie studio behind Breath of Death VII and Cthulhu Saves the World. With a brand-new team behind the game, the end result is novel and refreshing – despite being a very different game, the changes have, for the most part, worked out for the better.
Darkness Returns
The Penny Arcade Adventures games are, more or less, a spin-off of the webcomic, starring many of its main characters, including stars Tycho and Gabe. However, rather than taking place in the webcomic’s contemporary world, Adventures sports a parody-laden steampunk/Lovecraftian setting that’s fairly original and entertaining. The games follow Tycho and Gabe of the Startling Developments Detective Agency, as well as a number of supporting characters, on their adventures saving the world from (what else?) inconceivable universe-eating behemoths. Although the series does have hints of an overarching storyline, the games are still mostly self-contained, and fairly light on story anyhow.
The changes made in Episode 3 are drastic to say the least. While the first two games borrowed from adventure games and featured an active turn-based combat system, all taking place in 3D worlds modeled after Mike Krahulik’s signature art style, Episode 3 is planted firmly in a 16-bit pixel art style. Moreover, gameplay now revolves almost entirely around JRPG-style combat through maze-like dungeons, with very little exploration and virtually no puzzle-solving. While a world map teases exploration and discovery, in truth, Episode 3 is entirely linear save for an optional arena you can visit to grind up your skills.
This shift, though dramatic, isn’t at all a bad thing. While Zeboyd’s signature JRPG-style combat is extremely basic on the surface, it’s also engaging – things start out slow and easy, but midway through the game the difficulty picks up and you’ll need to use quite a bit of strategy to survive. The simple turn-based combat interface hides a ton of depth, with dozens of character classes and attacks, different damage types and resistances, and all the other classic RPG staples – and while in most modern RPGs they’re basically flavor, in Episode 3, knowledge of the mechanics is required to beat the toughest bosses. More than most RPG developers around right now, I think Zeboyd Games really understand how even simple systems and mechanics can be made exciting through good balancing, pacing and difficulty curves, and that’s exactly what Episode 3 offers.
Of course, outside of this turn-based combat, there really isn’t much to do. Gameplay mostly takes place in a number of colorful dungeon environments that span a huge variety of themes – some, like Hobo Alley, return from prior games, while the Bank of Money, complete with its inter-dimensional vaults, are brand-new. Some of these aren’t entirely linear, but the maze-like nature of some dungeons can become disorienting due to the lack of strong visual landmarks, and there’s very little loot to find (though most of it is very useful, as both gear and money are fairly tight). This is a common issue with the other Zeboyd titles, and it’s unfortunate that nothing much was done to improve on it.
Character System & Mechanics
Since combat is almost all to do in the game, it’s important that it’s good. Fortunately, much like prior Zeboyd releases, Episode 3 has some very satisfying turn-based battles that recall the best of old-school JRPGs, and even improve upon them. There are a number of unique and interesting mechanics that put a new spin on the tired formula through what are ultimately some pretty simple changes.
For instance, in most RPGs, you start out with MP or mana… but in Episode 3, characters start battles with none, and gain 1 MP per turn (which can be bolstered with items and abilities). Meanwhile, enemies gain in attack power the longer the battle goes on. Since special moves, later on, are just about the only ones you’ll want to use, combat becomes an interesting decision-making process of managing MP across four characters, and planning in advance how to best use your abilities and the time available before enemies become truly deadly. While it can be tempting to spam default attacks, usually patience will win out in the end… though this varies quite a bit based on class load-out.
In fact, the class system is pretty much the heart of combat in
Episode 3. Using “class pins”, which level up independently of characters, it’s possible to equip and unequip different sets of abilities and attributes. Every character in the party has a base class that you can’t change, but the variety available allows for a lot of really interesting combat styles and synergies. Some classes take the form of healer/tank/DPS/supporter/nuker archetypes, but others, like the Tube Samurai, can change stances to offer different boosts and attacks for different situations. Due to all the possible combinations and movesets, the number of build options is impressive – there’s a lot of room for creating unique strategies. For instance, one of my most effective characters was based entirely around slowly building up attack attributes through buffs, unleashing huge amounts of damage several turns in – but I could have also just as easily made him a debuffer, or a fast attacker, or a magic user. All the little differences between damage types, MP costs and so on really add up as you get deeper into the game, or ramp up the difficulty setting.
One other interesting change to the JRPG template is how attacks are queued up. Each character is represented as an icon on a “track” of sorts, and depending on the Agility stat, he or she will move towards the end at different rates. Keen players will quickly learn how to time move commands to create powerful combos, and this element also opens the door to interrupting or slowing enemy attacks. It’s not quite an active system, but affords a lot more flexibility than your standard back-and-forth turn-based setup once you learn how to use it to your advantage – in fact, some of the most challenging foes are all but impossible to beat without learning how to do so.
Presentation
Let’s face it – most people who are interested in Penny Arcade Adventures will be interested primarily because they’re fans of the webcomic. While the 3D visuals have been left behind for Episode 3, the new pixel art style is very well executed and retains all the personality of the source material, with some well-drawn character portraits and tons upon tons of references to many of the webcomic’s most obscure or famous characters, like Deep Crows – and fortunately, it wisely avoids bringing back the stars of the previous two games. The game also loves to explore absurd scenarios, from a Star Trek themed space station to a certain blast from the past that fans of previous Zeboyd games will probably get a kick out of.
The other side of the Penny Arcade package is writing. While I’ve drifted away from following the comic in recent years, I’ve always appreciated Jerry Holkins’ unique grasp of the English language, and the game is loaded with his signature obtuse wordplay and wit, strange affinity for hobos, mimes, etc., and vulgar humor. His style of writing actually suits the JRPG theme better than the prior games, and while not everyone will enjoy the humor on display, I don’t think there was a joke that didn’t hit its mark for me. Oddly, the events of the previous games’ stories have been almost completely abandoned, and the player-created character seen in the first two titles is gone without a word. That’s not really a complaint, but it’s clear that consistent storytelling is hardly the focus here.
There’s also the matter of sound effects and music. Given the retro nature of the game, the SNES-style soundtrack fits right in, with some surprisingly catchy songs that sound like they’ve been pulled straight out of the past. All of the little menu beeps and other sound effects are similarly appropriate, but given the style of the game, they’re pretty minimalist.
Finally, it’s worth mentioning that the game is only available on Steam and Xbox LIVE Arcade. The Steam version I played doesn’t have any Steam achievements or other similar features, unfortunately.
Conclusion
Despite enjoying the first two Hothead-developed titles, Penny Arcade Adventures: Episode 3 is a big improvement over them, both because of much smarter mechanics and a more defined identity and genre. While it’s not radically different from previous Zeboyd RPGs (it even uses the same menu style), it’s a well-paced, well-designed dungeon crawl with turn-based combat that’s, frankly, much better than what most games offer these days.
If there’s one minor complaint to be made, it’s that the focus on combat is probably going to turn some people away. Whereas the prior titles in the series had their share of exploration and adventuring, Episode 3 can largely be reduced to a series of combat encounters. And, as good as the combat is, even with the relatively short 8-hour length, it can get just a tad monotonous. If you don’t enjoy turn-based JRPG-style battling, then unfortunately Episode 3 doesn’t have much else to offer.
All that said, if you’re in the mood for that particular brand of combat, and enjoy Penny Arcade’s distinct brand of humor, then Penny Arcade Adventures: Episode 3 definitely delivers, and is well worth its asking price. Zeboyd and Penny Arcade fit each other like a glove, and I’d love to see more titles expand upon what’s been laid down with this one.
